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KV2 – Vermilion Liquid Sumi Ink (2 oz)
KV2 – 2 Oz Vermilion Liquid Sumi Ink
Yasutomo vermilion ink is a rich, warm, red-orange color.
It is traditionally used in hand-lettered manuscripts, seals, and ink paintings. It is also commonly used in Asia by calligraphy instructors to correct students’ work.
This water-resistant ink is opaque and dries to a permanent matte finish.
Use directly from the bottle for dip pen calligraphy and brush painting. Mix with black ink to create a rich brown or warm black calligraphy ink.
Conforms to ASTM D-4236.
* Pro Tip * When used on washi (rice paper), expect the ink to soak in and spread into the absorbent paper. If you are using the ink for Western-style lettering on sized paper, add gum arabic. This will greatly reduce bleeding and fuzzy letters.
Size: 2″ x 2” x 3″
Weight: 2.9 oz
Volume: 2 oz
[embed]https://www.youtube.com/watch?v=OXhQRlVhBIY[/embed] -
SWS700 – Bokuju Sumi Set
SWS700 – Bokuju Sumi Set
This set contains two sumi brushes (SW1 and CC3), one bottle of Bokuju (liquid sumi ink), and a porcelain saucer 3 1/2″ diameter x 1/2″ deep in a beautiful paper box. Includes an instruction sheet with detailed, step-by-step instructions on how to paint a sumi poppy flower.
Instructions also include QR codes for video instructions on how to paint a poppy.
A perfect sumi-e starter kit for anyone wishing to learn the classic art of sumi-e. Great for both novice and experienced sumi-e artists.
Makes a lovely gift.
Sell with our Hosho Paper Pad (6H) or any other Yasutomo washi papers to offer a complete set of sumi-e supplies.
[embed]https://youtu.be/5f3tyzN8Jrw[/embed] -
SWS600 – Suzuri Stone Sumi Set
SWS600 – Suzuri Stone Sumi Set
This set contains two sumi brushes (SW1 and CC3), one sumi ink stick and one Suzuri stone in a beautiful paper box. Includes an instruction sheet with detailed, step-by-step instructions on how to paint a classic sumi bamboo painting.
Instructions also include QR codes for video instructions on how to grind sumi ink on a suzuri stone and how to paint bamboo.
A perfect sumi-e starter kit for anyone wishing to learn the classic art of sumi-e. Great for both novice and experienced sumi-e artists.
Makes a lovely gift.
Sell with our Hosho Paper Pad (6H) or any other Yasutomo washi papers to offer a complete set of sumi-e supplies.
[embed]https://youtu.be/5f3tyzN8Jrw[/embed] -
S165 – Natural Suzuri Stone 5″ x 2 1/2”
S165 – Natural Suzuri Stone 5″ x 2 1/2”
Suzuri is a flat grinding stone used to make Sumi ink. It has a sloping indentation which forms a small well at one end. A Sumi ink stick is ground on the stone surface with plain water to product liquid ink.
Dimensions: 5” x 2 1/2”
Weight: 9.4 oz
Suzuri Stone Care and Usage
- To avoid unevenness, indentations, and grooves, grind the ink over the entire surface of the stone.
- Never leave the ink stick on the wet stone surface as it will adhere and damage the stone’s surface.
- Wash with water after each use, gently using your fingers.
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S147 – Natural Suzuri Stone, 5 1/2” x 3”
S147 – Natural Suzuri Stone, 5 1/2” x 3”
Suzuri is a flat grinding stone used to make Sumi ink. It has a sloping indentation which forms a small well at one end. A Sumi ink stick is ground on the stone surface with plain water to product liquid ink.
Dimensions: 5 1/2” x 3”
Weight: 13.6 oz
Suzuri Stone Care and Usage
- To avoid unevenness, indentations, and grooves, grind the ink over the entire surface of the stone.
- Never leave the ink stick on the wet stone surface as it will adhere and damage the stone’s surface.
- Wash with water after each use, gently using your fingers.
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SSB900 – Professional Quality Ink Stick
SB900 – Professional Quality Ink Stick
For thousands of years, sumi ink sticks have been made by mixing soot with glue to form solid blocks. They are ground on a Suzuri stone with water to produce ink in the way of traditional Asian artisans. Sumi ink sticks are unsurpassed for producing the famous Five Colors, or shades of black, that form the basis of monochromatic Sumi painting. The subtlety of Sumi ink is evident in the variety of tones and values it produces. The dot on the top of the Sumi stick indicates its quality and authenticity.
AP non-toxic.
Dimensions: 1 1/8” x 5/8” x 3 7/16”
Weight: 0.9 oz
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SSB700 – Artist Quality Ink Stick
SSB700 – Artist Quality Ink Stick
For thousands of years, sumi ink sticks have been made by mixing soot with flue to form solid blocks. They are ground on a Suzuri stone with water to produce ink in the way of traditional Asian artisans. Sumi ink sticks are unsurpassed for producing the famous Five Colors, or shades of black, that form the basis of monochromatic Sumi painting. The subtlety of Sumi ink is evident in the variety of tones and values it produces. The dot on the top of the Sumi stick indicates its quality and authenticity. Artist Quality Sumi Ink Stick dimensions: 1” x 3 1/8” x 9/16”
Sumi Ink Stick Care
- Store out of direct sunlight, avoiding heat and moisture.
- Wash, clean and dry after each use to avoid mold growth.
- Use ink as soon as possible after making it for best results.
Dimensions: 1” x 3 1/8” x 9/16”
Weight: 0.9 oz
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CS18 – Traditional Chinese Ink, Silver Black
CS18 – Traditional Chinese Ink, Silver Black
Silver Black is a dense black ink with silver powder suspension. The black outlines silver on rice paper; the effect is more subtle on other papers. Specifically made for Chinese art techniques, but suitable for all ink work, painting, drawing and calligraphy. Fade-resistant and water re-soluble. Chinese inks produce slightly cooler tones than Japanese inks. Convenient lid design with an easy pour cap allows for more control and fewer spills. Bottle contains 180 ml (approximately 6.1 oz) ink, and comes boxed.
Dimensions: 2 7/32” x 1 1/2” x 5 15/16”
Weight: 8.3 oz
Usage tips:
- For best use, shake well and vigorously before pouring the ink out of the bottle. You should hear the mixing balls shaking inside of the bottle; these disperse the metallic pigment throughout the ink.
- Expires 5 years from their production date. Bottle has a sticker with the expiration date on the bottom.
- Use on absorbent washi (rice papers) for strongest metallic effect.
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CG18 – Traditional Chinese Ink, Golden Black
CG18 – Traditional Chinese Ink, Golden Black
CG18 is a dense black ink with golden powder suspension. The black outlines gold on rice paper; the effect is more subtle
on sized papers. Specifically made for Chinese art techniques, but suitable for all ink work, painting, drawing and calligraphy. Fade-resistant and water re-soluble. Chinese inks produce slightly cooler tones than Japanese inks. Convenient lid design with an easy pour cap allows for more control and fewer spills. Bottle contains 180 ml (approximately 6.1 oz) ink, and comes boxed.
Dimensions: 2 7/32” x 1 1/2” x 5 15/16”
Weight: 8.2 oz
Usage tips:
- For best use, shake well and vigorously before pouring the ink out of the bottle. You should hear the mixing balls shaking inside of the bottle; these disperse the metallic pigment throughout the ink.
- Expires 5 years from their production date. Bottle has a sticker with the expiration date on the bottom.
- Use on absorbent washi (rice papers) for strongest metallic effect.
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CY18 – Traditional Chinese Ink, Black
CY18 – Traditional Chinese Ink, Black
CY18 is a dense black ink formulated to create tones in varying shades of gray with the addition of water, making it perfect for delicate washes. It has a less water-resistant formula than CM18. Specifically made for Chinese art techniques, but suitable for all ink work, painting, drawing and calligraphy. Fade-resistant and water re-soluble. Chinese inks produce slightly cooler tones than Japanese inks. Bottle contains 180 ml (approximately 6.1 oz) ink, and comes boxed.
Mixes with Chinese watercolors for interesting effects. Convenient lid design with an easy pour cap allows for more control and fewer spills.
The unique adhesive formulation of these inks allows for increased stability but they will reconstitute in water. When these inks dry on absorbent papers, they can be wet mounted (i.e. water-based adhesive is used to bond the artwork to the mounting surface without bleeding or smearing).
Because this is a pigment ink, not a dye ink, it should not be used in refillable pens. These inks are not acrylic inks nor are there any acrylic properties or ingredients in them.
Conforms to ASTM D-4236.
Expires 5 years from their production date. Bottle has a sticker with the expiration date on the bottom.
Dimensions: 2 7/32” x 1 1/2” x 5 15/16”
Weight: 8.1 oz
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CM18 – Traditional Chinese Ink, Ultra Black
CM18 – Traditional Chinese Ink, Ultra Black
CM18 is a very dense black, water resistant ink that contains almost double the pigment of CY18. It creates unique tones when thinned with water and works on porous and less porous papers, including metallics. Specifically made for Chinese art techniques, but suitable for all ink work, painting, drawing and calligraphy. Fade-resistant and water re-soluble. Chinese inks produce slightly cooler tones than Japanese inks. Bottle contains 180 ml (approximately 6.1 oz) ink, and comes boxed.
The unique adhesive formulation of these inks allows for increased stability but they will reconstitute in water. When these inks dry on absorbent papers, they can be wet mounted (i.e. water-based adhesive is used to bond the artwork to the mounting surface without bleeding or smearing).
Mixes with Chinese watercolors for interesting effects. Convenient lid design with an easy pour cap allows for more control and fewer spills.
Because this is a pigment ink, not a dye ink, it should not be used in refillable pens. These inks are not acrylic inks nor are there any acrylic properties or ingredients in them.
Expires 5 years from their production date. Bottle has a sticker with the expiration date on the bottom.
Dimensions: 2 7/32” x 1 1/2” x 5 15/16”
Weight: 8.1 oz
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KY60 – Bokuju or Liquid Ink
KY60 – 60 Oz Black Sumi Ink
NEW! Now available in an extra-large, value size. Liquid sumi inks are economical, convenient and time saving as it eliminates the need for grinding. Dries to a matte finish. AP non-toxic. Conforms to ASTM D-4326.
Weight: 4.1 lbs
Volume: 60 oz
FAQ:
Q: If I use your ink for gyo-taku (fish printing), can I eat the fish afterward?
A: We do not recommend or make any claim that fish would be safe to consume after using our ink for gyo-taku.
However, our sumi inks have the AP non-toxic seal per the ACMI’s Toxicological Advisory Board, which certifies that our art materials are safe and certified in a toxicological evaluation by a board-certified toxicologist to contain no materials in sufficient quantities to be toxic or injurious to humans, including children, or to cause acute of chronic health problems.