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TP235 – Combination Bamboo Pen and Brush
TP235 – Combination Bamboo Pen and Brush
This bamboo sketching pen has a brush attached to make it a powerful combination pen. One end is used for ink drawing and painting, the other for Sumi color or sketching. Each piece is made of a specially selected hard bamboo shaft and carefully carved by a master craftsman into a shape perfect for black-ink line drawing. The removable brush tip can be inserted into the handle for protection and storage. Designed to be used with liquid Sumi-ink.
Size: 7.75″ x 0.6″
Weight: 0.4 oz
S165 – Natural Suzuri Stone 5″ x 2 1/2”
S165 – Natural Suzuri Stone 5″ x 2 1/2”
Suzuri is a flat grinding stone used to make Sumi ink. It has a sloping indentation which forms a small well at one end. A Sumi ink stick is ground on the stone surface with plain water to product liquid ink.
Suzuri Stone Care and Usage
- To avoid unevenness, indentations, and grooves, grind the ink over the entire surface of the stone.
- Never leave the ink stick on the wet stone surface as it will adhere and damage the stone’s surface.
- Wash with water after each use, gently using your fingers.
Dimensions: 5” x 2 1/2”
Weight: 9.4 oz
S147 – Natural Suzuri Stone, 5 1/2” x 3”
S147 – Natural Suzuri Stone, 5 1/2” x 3”
Suzuri is a flat grinding stone used to make Sumi ink. It has a sloping indentation which forms a small well at one end. A Sumi ink stick is ground on the stone surface with plain water to product liquid ink.
Suzuri Stone Care and Usage
- To avoid unevenness, indentations, and grooves, grind the ink over the entire surface of the stone.
- Never leave the ink stick on the wet stone surface as it will adhere and damage the stone’s surface.
- Wash with water after each use, gently using your fingers.
Dimensions: 5 1/2” x 3”
Weight: 13.6 oz
SSB700 – Sumi Ink Stick
SSB700 – Artist Quality Ink Stick
For thousands of years, sumi ink sticks have been made by mixing soot with flue to form solid blocks. They are ground on a Suzuri stone with water to produce ink in the way of traditional Asian artisans. Sumi ink sticks are unsurpassed for producing the famous Five Colors, or shades of black, that form the basis of monochromatic Sumi painting. The subtlety of Sumi ink is evident in the variety of tones and values it produces.
Sumi Ink Stick Care
- Store out of direct sunlight, avoiding heat and moisture.
- Wash, clean and dry after each use to avoid mold growth.
- Use ink as soon as possible after making it for best results.
Dimensions: 1” x 3 1/8” x 9/16”
Weight: 0.9 oz
CS18 – Traditional Chinese Ink, Silver Black
CS18 – Traditional Chinese Ink, Silver Black
Silver Black is a dense black ink with silver powder suspension. The black outlines silver on rice paper; the effect is more subtle on other papers. Specifically made for Chinese art techniques, but suitable for all ink work, painting, drawing and calligraphy. Fade-resistant and water re-soluble. Chinese inks produce slightly cooler tones than Japanese inks. Convenient lid design with an easy pour cap allows for more control and fewer spills. Bottle contains 180 ml (approximately 6.1 oz) ink, and comes boxed.
Dimensions: 2 7/32” x 1 1/2” x 5 15/16”
Weight: 8.3 oz
Usage tips:
- For best use, shake well and vigorously before pouring the ink out of the bottle. You should hear the mixing balls shaking inside of the bottle; these disperse the metallic pigment throughout the ink.
- Use on absorbent washi (rice papers) for strongest metallic effect.
CG18 – Traditional Chinese Ink, Golden Black
CG18 – Traditional Chinese Ink, Golden Black
CG18 is a dense black ink with golden powder suspension. The black outlines gold on rice paper; the effect is more subtle
on sized papers. Specifically made for Chinese art techniques, but suitable for all ink work, painting, drawing and calligraphy. Fade-resistant and water re-soluble. Chinese inks produce slightly cooler tones than Japanese inks. Convenient lid design with an easy pour cap allows for more control and fewer spills. Bottle contains 180 ml (approximately 6.1 oz) ink, and comes boxed.
Dimensions: 2 7/32” x 1 1/2” x 5 15/16”
Weight: 8.2 oz
Usage tips:
- For best use, shake well and vigorously before pouring the ink out of the bottle. You should hear the mixing balls shaking inside of the bottle; these disperse the metallic pigment throughout the ink.
- Use on absorbent washi (rice papers) for strongest metallic effect.
CY18 – Traditional Chinese Ink, Black
CY18 – Traditional Chinese Ink, Black
CY18 is a dense black ink formulated to create tones in varying shades of gray with the addition of water, making it perfect for delicate washes. It has a less water-resistant formula than CM18. Specifically made for Chinese art techniques, but suitable for all ink work, painting, drawing and calligraphy. Fade-resistant and water re-soluble. Chinese inks produce slightly cooler tones than Japanese inks. Bottle contains 180 ml (approximately 6.1 oz) ink. Comes boxed.
Mixes with Chinese watercolors for interesting effects. Convenient lid design with an easy pour cap allows for more control and fewer spills.
The unique adhesive formulation of these inks allows for increased stability but they will reconstitute in water. When these inks dry on absorbent papers, they can be wet mounted (i.e. water-based adhesive is used to bond the artwork to the mounting surface without bleeding or smearing).
Because this is a pigment ink, not a dye ink, it should not be used in refillable pens. These inks are not acrylic inks nor are there any acrylic properties or ingredients in them.
Conforms to ASTM D-4236.
Dimensions: 2 7/32” x 1 1/2” x 5 15/16”
Weight: 8.1 oz
CM18 – Traditional Chinese Ink, Ultra Black
CM18 – Traditional Chinese Ink, Ultra Black
CM18 is a very dense black, water resistant ink that contains almost double the pigment of CY18. It creates unique tones when thinned with water and works on porous and less porous papers, including metallics. Specifically made for Chinese art techniques, but suitable for all ink work, painting, drawing and calligraphy. Fade-resistant and water re-soluble. Chinese inks produce slightly cooler tones than Japanese inks. Bottle contains 180 ml (approximately 6.1 oz) ink. Comes boxed.
The unique adhesive formulation of these inks allows for increased stability but they will reconstitute in water. When these inks dry on absorbent papers, they can be wet mounted (i.e. water-based adhesive is used to bond the artwork to the mounting surface without bleeding or smearing).
Mixes with Chinese watercolors for interesting effects. Convenient lid design with an easy pour cap allows for more control and fewer spills.
Because this is a pigment ink, not a dye ink, it should not be used in refillable pens. These inks are not acrylic inks nor are there any acrylic properties or ingredients in them.
Dimensions: 2 7/32” x 1 1/2” x 5 15/16”
Weight: 8.1 oz
BT14-20 – Bamboo brush holder
BT14-20 – Bamboo Brush Holder, Medium, 8”
Deep vase made of natural, hollowed out bamboo with a satin finish. Their deep shape is perfect for holding brushes, pens, knives, and other studio essentials. Leave plain to show off the satin finish, or decorate for an added personal touch. Among our most popular accessories, these bamboo vases are great for store display or storing your most-used tools.
These natural, hollowed out bamboo vases are among our most popular accessories.
Dimensions: 3” x 3” x 8”
Weight: 5.4 oz
NS2R – Sumi-E Instruction Book
NS2 – Sumi-E Instruction Book
A classic instruction book that gives the reader a basic understanding of the materials and techniques used in sumi-e painting. Perfect to display alongside sumi-e products. 24 pages. Fully illustrated.
Size: 8 1/2″ x 11″
Weight: 4 oz
JMP400 – Mineral Paper Pad, 11″ x 14″ – 20 sheets
JMP400 – Mineral Paper Pad, 11″ x 14″
Mineral paper is made from 80% calcium carbonate which provides a unique surface for water based or dry media. A great alternative to wood-based paper. Tear resistant, foldable, and non-wrinkling. Will not bleed through even when soaked. Mineral paper is a great surface for almost any media wet or dry, and can be ink jet printed (results will vary depending on the printer). Its bright white vellum like surface allows for crisp lines, saturated colors and just the right amount of absorbency for a wide variety of creative techniques. Acid free. Bright white. Not recommended for oil-based paints or oil pastels. 20 sheets per pad. 100 lb/150 gsm. Also available in 6″ x 8″ (JMP100) and 9″ x 12″ (JMP200).
Size: 11” x 14”
Weight: 14 oz
GSM: 150
JMP200 – Mineral Paper Pad, 9″ x 12″ – 20 sheets
JMP200 – Mineral Paper Pad, 9″ x 12”
Mineral paper is made from 80% calcium carbonate which provides a unique surface for water based or dry media. A great alternative to wood-based paper. Tear-resistant, foldable, and non-wrinkling. Will not bleed through, even when soaked. Mineral paper is a great surface for almost any media wet or dry, and can be ink jet printed (results will vary depending on the printer). Its bright white vellum like surface allows for crisp lines, saturated colors and just the right amount of absorbency for a wide variety of creative techniques. Acid free. Bright white. Not recommended for oil-based paints or oil pastels. 20 sheets per pad. 100 lb/150 gsm. Also available in 6″ x 8″ (JMP100) and 11″ x 14″ (JMP400).
Size: 9” x 12”
Weight: 10.5 oz
GSM: 150